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Expanding upon events set in motion in 2015’s blockbuster film that grossed more than $560 million globally, the new installment arrives for Valentine’s Day and invites you to slip into something a shade darker. Here’s the synopsis: ‘Jamie Dornan and Dakota Johnson return as Christian Grey and Anastasia Steele in Fifty Shades Darker, the second chapter based on the worldwide bestselling “Fifty Shades” phenomenon.
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It gives us some new footage as well as a listen to the title track from Zayn and Taylor Swift. I’m not 100% sure why it’s been called an Extended Trailer, as it’s actually shorter than the last promo that dropped, but a new trailer for Fifty Shades Darker has arrived. Fifty Shades Darker Extended Trailer – Jamie Dornan & Dakota Johnson are back getting sexy once more There’s also Leila (Bella Heathcote), one of Christian’s earlier submissives, and Anastasia’s boss, Jack Hyde, who may be looking to make a different sort of sexual powerplay. Robinson’ character, Elena (Kim Basinger), who inducted Christian into kinkiness and isn’t quite ready to let him go. It’s not going to be all smooth sailing though, as there are various figures out to cause them trouble, including the previously unseen ‘Mrs. It’s a more unspoken one where they attempt to create a more equal relationship, despite Christian’s issues and ‘boundaries’ (which handily you can literally paint on him in lipstick). She isn’t sure, but they start dating again, and are soon negotiating a different kind of contract than the last movie. However, it doesn’t take long until they’re back together, with Christian promising he loves Ana enough that he wants to be her partner rather than her master. How do you manage to make a film that’s supposedly about kinky sex be this boring?Īt the end of Fifty Shades Of Grey, the timid Anastasia Steele (Dakota Johnson) and her S&M-obsessed billionaire paramour, Christian Grey (Jamie Dornan), had parted company.
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What this movie says, with the help of some tasty effects, is that mature minds are worth more in a crisis than smart kids who lack the imagination to think for themselves.Įventually it's nothing more than one for the boys, the good ole boys, with Frank Sinatra on the soundtrack and a sneaky suspicion that this space shuttle should have stayed grounded.Oh, dear God. The buddy banter hides deeper feelings, stiffening resolve and hardening the heart. Garner lags behind ("I'm too tired to chew," he bleats in the canteen) and Sutherland's charm is way past its sell-by date.
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First the introduction - James Garner is a priest, Donald Sutherland designs rollercoasters, Tommy Lee Jones scares paying customers in a biplane - followed by the training - naked backview flab shots, with gaspy interludes on the jogging track - and, after pausing for a tasteful romantic moment, the assignment itself - checking out "obsolete technology" on the satellite, only to discover a deadly secret active within.Ĭonfrontation between the maverick oldsters and brash young bucks comes to nothing because the superfit new generation astronauts, two of whom accompany the grandads on their mission, either mess up, or flaff about.Įastwood and Jones are the main men. The structure of the film follows conventional lines. Maybe John Glenn's return into orbit decades after retirement and becoming an American hero all over again spurred the scriptwriters, who shall remain nameless for their reputation's sake, to come up with a story of four senior citizens who don space suits and do the weightless boogie up there amongst the stars 30 years after they installed guiding systems into a Russian satellite. Now he directs a geriatric adventure yarn that creaks with rusty sentiment and is as predictable as Meg Ryan. It's always a clever move to accuse yourself of being over the hill before the rest of the world thinks so. Clint Eastwood has been making ageist jokes for years.