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We had access to the buildings and were all staying in the guys’ fraternity house. Soter: With Puddle Cruiser, we were shooting at our own college campus at Colgate University and it was so contained. Heffernan: I finished law school right before Puddle Cruiser and then I took the bar exam before we finished Super Troopers, so I was ok. It would have been the end because I don’t know that we would have continued to try to make another. Super Troopers cost $1.2 million, and you’re not going to get that kind of money if you don’t sell your movies. It’s funny, but I don’t know.” So he let us have it back. At the same time, we didn’t ever feel like we were in the studio system trying to create a film that was written for an audience.Ĭhandrasekhar: Harvey read it and he said, “Eh, I don’t know.
#GAY BAR SONG GOT PULLED OVER BY A COP MOVIE#
But it was kind of a nice feeling in the sense that we definitely wanted to make a movie that worked and was a success. Stolhanske: If this film didn’t get picked up, we’d probably have to go on to be lawyers or doctors. A macho, mustache-y, tough, funny kind of movie. Anytime we wrote something that was funny but probably stretched credibility, he’d been really good at holding that boundary.Ĭhandrasekhar: Our dream was to become the American Monty Python. Soter: The credit that I will give the other guys (especially Jay) is that they always wanted to make sure it was tethered to reality. I was like, “I’m not going to see a family movie.” But even as a child, I remember feeling like that it was too broad to me: “Nah, I’m not interested.” Believe it or not, I felt the same way about National Lampoon’s Vacation. I know that there was a dude that did sound effects I’ve seen a clip of that. And I don’t mean that in a bad way.Ĭhandrasekhar: You know, I have still never seen a Police Academy film. Lemme: I’ll tell you what: Police Academy was not one of the movies.
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My comic personality was crafted by the rerun power block of M.A.S.H. and The Bob Newhart Show, because it was on every single day at 3:30 when I got home from school. I was a latchkey kid so I always watched what was on TV. Soter: I think I probably grew up on goofier stuff: The Zucker brothers and things like Police Squad. The cops in those movies were tough and funny, but slightly buffoonish. But your budget is too small for big stunts, so it really does become about the station house hijinks. Those John Landis films: The Blues Brothers was another big one. Lemme: We were thinking along the lines of making something like Smokey and the Bandit. Lay everything out as if this is the only chance you’re going to get from now on.” I think that ended up being the overall philosophy of the whole thing: “Let’s make sure everything is the funniest and ballsiest as we could manage it.” Soter: We had gotten some good advice when the script was being developed at Miramax and our executive said, “Look, approach this as if you’ll never get to make another movie again. So we didn’t really have any expectations going into it, but they were always stories that made us laugh. Then we strung them together to form a storyline. We’d all pile into Jay’s car - it was the only car we had because we were living in New York City - and we’d go on these road trips and write down funny jokes or stories that we remembered laughing about. A lot of the stories that we wove together were funny stories that had happened to us while we were road-tripping to different places, either while performing or going to a wedding. He didn’t buy it, but he said, “I’ll buy your next script.” So we wrote Super Troopers and developed it at Miramax.Įrik Stolhanske (“Rabbit”): We were writing something that made us laugh. He had seen Puddle Cruiser there and had flirted with buying it. Jay Chandrasekhar (“Thorny” & Director): One of the interesting things that happened at Sundance involves Harvey Weinstein. Ramos suffered a gash below his left eye, and his co-worker reportedly was admitted to a trauma unit.Kevin Heffernan (“Rod”): After what happened with the first movie, we just wanted to make something our parents could go to a theater and see. Ramos believes his sexual orientation is the reason behind the beating. The friend did not want to be identified, but he told us the attackers yelled gay slurs while they pounded on them. "I heard the commotion and went around to try to help, got hit in the face by the second guy,” Ramos explained. He said the guys started punching his friend. "Random guys asking for our help, we were willing to help them, but then all of a sudden, it was an attack,” Ramos said.
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Daniel Ramos, an employee at the Saint Nightclub, said two men pulled up in a black Silverado and asked for jumper cables. When Ramos' co-worker turned his back to look for the jumper cables, the men attacked him.